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At the airport, Ethan also crosses paths with a pickpocket named Grace (Hayley .Spider-Man: No Way Home. The best of “Spider-Man: No Way Home” reminded .

roger ebert reviews roger ebert worst of 1999Meg Ryan ’s sparkling charm remains firmly intact in “What Happens Later,” her .Nope. It’s surprising how little information about writer/director Jordan Peele ’s .

The film begins with the hero, Cage's quiet and introverted woodsman Rob, in a .Advertisement. With a gigantic score by the American pop duo Sparks (brothers Ron .Find the latest movie reviews and ratings by Roger Ebert and his team of critics. Browse the blog for insights, interviews, and news from the world of cinema.Browse the reviews of Roger Ebert, the late film critic and co-founder of the Chicago Sun-Times Film Section, on Rotten Tomatoes. Find his ratings, comments and insights on .Ebert began his career as a film critic in 1967, writing for the Chicago Sun-Times. That same year, he met film critic Pauline Kael for the first time at the New York Film Festival. After he sent her some of his columns, she told him they were "the best film criticism being done in American newspapers today." That same year, Ebert's first book, a history of the University of Illinois titled An Illini Century: O.Rotten Tomatoes celebrates the life and legacy of Roger Ebert by showcasing his list of over 350 4-star/thumbs-up films. Browse the alphabetical list of Ebert's Great Movies .

The films he loved and loved to hate.
roger ebert reviews
Learn about Roger Ebert, America's most influential and widely recognized film critic, who wrote for The Chicago Sun-Times and hosted "Siskel & Ebert". Explore his filmography, . Here are seven of his most entertaining negative reviews. Valentine’s Day. Giving it two stars, Ebert didn’t totally trash this star-studded rom-com from 2010, but he .

Learn about the legendary critic's favorite films, from Casablanca to Citizen Kane, and why he loved them. Find out how Ebert's reviews influenced cinema history and shaped his own opinions over time.

With so much to love about “No Way Home,” the only shame is that it’s not a bit more tightly presented. There’s no reason for this movie to be 148 minutes, especially given how much the first half has a habit of repeating its themes and plot points. Watts (and the MCU in general) has a habit of over-explaining things and there’s a .
roger ebert reviews
Written by. Ang Lee's "Life of Pi" is a miraculous achievement of storytelling and a landmark of visual mastery. Inspired by a worldwide best-seller that many readers must have assumed was . The knock against the world of gaming has long been that they lack a human element, but Ruben Fleischer ’s “Uncharted” feels emptier than the award-winning franchise on which it’s based. Dominated by green screen special effects and thin treasure-hunt plotting, “Uncharted” fundamentally lacks the sense of adventure that turned the . Positioned as the start of a spy franchise for star Gal Gadot a la “ Mission: Impossible ” or the James Bond films, Tom Harper's “Heart of Stone” is the film equivalent of trying to make something go “viral.”. It’s an overly calibrated hodge-podge of better movies with absolutely no original thought of its own, populated by stock . That’s what we find out throughout an increasingly intimate and surreal night. If “What Happens Later” feels like a stage production on film, that’s because it essentially is: Ryan adapted Steven Dietz ’s play Shooting Star with Dietz and Kirk Lynn. It’s a two-hander, with an omniscient, omnipresent airport announcer providing .

Every age gets the Shakespeare it deserves. "King Lear" was written at a time when kings still ruled by divine right. It was the Renaissance belief that human destiny was influenced by one's inner humors; Lear's pride brought about his fall. "Ran" is set in medieval times, but it is a 20th century film, in which an old man can arrive at the end . Toy Story. "Toy Story" creates a universe out of a couple of kid's bedrooms, a gas station, and a stretch of suburban highway. Its heroes are toys, which come to life when nobody is watching. Its conflict is between an old-fashioned cowboy who has always been a little boy's favorite toy, and the new space ranger who may replace him. The opening title calls it “Dune Part 1” and while this two-and-a-half hour movie provides a bonafide epic experience, it's not coy about connoting that there’s more to the story. Herbert’s own vision corresponds to Villeneuve’s own storytelling affinities to the extent that he apparently did not feel compelled to graft his own ideas . By Roger Ebert. "Kung Fu Panda" is a story that almost tells itself in its title. It is so hard to imagine a big, fuzzy panda performing martial-arts encounters that you intuit (and you will be right) that the panda stars in an against-all-odds formula, which dooms him to succeed. For the panda's target audience, children and younger teens . Viewing Hiyao Miyazaki's "Spirited Away" for the third time, I was struck by a quality between generosity and love. On earlier viewings I was caught up by the boundless imagination of the story. This time I began to focus on the elements in the picture that didn't need to be there. Animation is a painstaking process, and there is a tendency to simplify . These things felt motiveless and cheap. Advertisement. Although he has always been very very good, something exciting has been happening with Hugh Grant in the last couple of years. As he's moved .

There may be people who overlook the Arnold Schwarzenegger performance in "Total Recall" - who think he isn't really acting. But the performance is one of the reasons the movie works so well. He isn't a superman this time, although he fights like one. He's a confused and frightened innocent, a man betrayed by the structure of reality .roger ebert reviews Based on the novel by. Diana Wynne Jones. Almost the first sight we see in "Howl's Moving Castle" is the castle itself, which looks as if it were hammered together in shop class by wizards inspired by the lumbering, elephantine war machines in "The Empire Strikes Back." The castle is an amazing visual invention, a vast collection of turrets and . “Across the Spider-Verse” opens just over a year after the action of the first movie. Gwen Stacy (Hailee Steinfeld) is back in her universe, trying to keep her identity secret from her father, George (Shea Whigham).When an alternate version of the villainous Vulture (Jorma Taccone) drops into her reality, the bad guy ends up trailed by the intense . He's the kind of all-American aw-shucks new dad who dipped his toe into the horror genre, and now wants to make a fun movie that his children can watch. The results, such as they are, play out like a half-baked live-action adaptation of a Pixar picture, from the "Monsters, Inc"-like structure of the IF world and the dramedic coming-of-age .

roger ebert worst of 1999 Actors must love to make body-switch movies. Look at the fun Jamie Lee Curtis and Lindsay Lohan have in "Freaky Friday." Each one gets to imitate the body language and inner nature of the other, while firing salvos across the generation gap. Body-switch plots are a license for adults to act like kids; probably nobody has had more fun at . Kingdom of the Planet of the Apes. When Rupert Wyatt's 2011 prequel "Rise of the Planet of the Apes" revived a five-decade-old franchise—one that spanned books, films, TV series, and comics since the '60s—it did so with a refreshing commitment to a powerful, timeless story: simple but not simple-minded, deeply emotional but far from corny.

Watching "Avatar," I felt sort of the same as when I saw "Star Wars" in 1977. That was another movie I walked into with uncertain expectations. James Cameron's film has been the subject of relentlessly dubious advance buzz, just as his "Titanic" was. Once again, he has silenced the doubters by simply delivering an extraordinary film. .

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roger ebert reviews|roger ebert worst of 1999
roger ebert reviews|roger ebert worst of 1999.
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